帰路: ヨーロッパとアジア

1872年8月17日 - 1873年9月13日

岩倉使節団は6ヵ月余りの滞米後、ボストン港を出港し、ヨーロッパへ向かいました。ヨーロッパ諸国での滞在期間はアメリカでのそれと比べるとかなり短く、大半の国では2週間程度で視察を終えました。この目まぐるしい遍歴にはいくつか例外があり、イギリスでは4カ月間、フランスでは3カ月間を過ごしました。ドイツとスイスには4週間、イタリアには3週間を割きました。

滞米中、使節団はグラント大統領、ハミルトン・フィッシュ国務長官との条約改正交渉に失敗します。使節らはこの失態を冷静に受け止め、旅の後半はよりソフトな外交を選択することになりました。今度の責務は比較的軽かったため、使節団のヨーロッパ視察は大成功を収めます。大統領、首相、国王、王妃、政府高官、産業界のリーダーらと何度も賓客として接し、時間を過ごしました。
ヨーロッパの官庁、工場、陸軍士官学校、大学、図書館などの視察に没頭しながらも、使節団は母国の動きを見失うことはありませんでした。彼らは、現在進行中の改革を常に意識し、手紙や使者を通じて日本との連絡を絶やしませんでした。1873年9月13日、一行は横浜に帰着します。
Photochrom print of the exit of the Suez Canal canal into the Red Sea near Port Tewfik, 1890, Source: Library of Congress
Russia

Summary: On April 5, 1874, the delegation walked across the frozen waters of the Neva River to the Peter-Paul Fortress in St. Petersburg. This was the delegations' first experience with the sub-freezing temperatures of northern Europe and Kume was shocked that the three-foot ice could support horse-drawn sleighs. (Kume 337)

Image: View of banks along the frozen Neva River in St. Petersburg, Between 1880-1900, Source: Leporello album (RP- F-F26715), Rijks Museum.

Britain

Summary: After arriving in Liverpool on August 17, 1872, the group spent the next four months visiting various political institutions, industrial centers, and academic institutions across the country. Moreover, after visits to the British
Museum and the new London Underground, the delegation was granted an audience with Queen Victoria on December 5, 1872. They also paid their respects to the Prince of Wales a few
days later before leaving for France. (Kume, 208)

Image: Throne room, Buckingham Palace, 1900, Source: Library of Congress.

France

Summary: The delegates visited several cultural, industrial, and welfare
institutions while in France. From bread and porcelain factories to the national library in Paris, the group were thoroughly impressed by France, and Kume remarked that the country was surely the most advanced out of the European countries. (Kume, 213)

Image: Street level view of Tour Saint- Jacques, Paris, France, Between 1870 and 1879, Source: Library of Congress.

Switzerland

Summary: The Mission was very impressed by Switzerland's majestic mountains and vibrant cities nestled on lakes and rivers. (Kume 447)

Image: Photochrom print of Geneva Lake, Switzerland, Between 1890 and 1900, Source: Library of Congress.

Germany

Summary: Although the crux of the mission lay in utilitarian matters, the Iwakura Mission greatly enjoyed their bushes with Wester art, music, and theater, thus deepening their appreciate of traditional national art. While in the German Empire, the delegates attended an opera for the first time at the Imperial Theater in Berlin on March 11, 1873. Kume noted that the musical drama held many similarities to Japan's own classical Noh theater. (Kume, 301)

Image: The Royal Theater, Berlin, Germany, 1903, Source: Library of Congress.

Autria

Summary: The Mission attended the 1873 Vienna World's Fair, hosted by the Austria-Hungarian capital of Vienna. Attended by over 7 million people and featuring 36 nations and 19 colonies, the delegates were struck by the size and breadth of the numerous exhibitions. Regardless of size or power, Kume observed an independent spirit in many of the countries' exhibitions and reflected on how Japan could emulate these ambitions. (Kume 466)

Image: Rotunde with main entrance at the 1873 World's Fair in Vienna, 1873,
Source: Rijks Museum.

Cylon

Summary: The group arrived at the island of Cylon on August, 9, 1873. They were greatly impressed by the Buddhist Atapattu Vihara Temple and the Bonavista Temple. Later that night, they walked on the beach under a dazzling moonlight sky. (Kume 501)

Image: Temple of Buddha on the Road to Gall, Ceylon, Between 1890 and 1910, Source: Library of Congess.

Hong Kong

Summary: The group arrived in Hong Kong on August 27, 1873. The city was ceded to Britain in 1841 and the delegation, fresh from their journey across Europe, could easily distinguish the British and other European influences on much of the architecture. In particular, Kume noticed that European stylings often used gold and pearls, which provided a bright contrast to the vermilion Chinese aesthetics. (Kume 517)

Image: Street level view of Hong Kong, 1895, Source: Library of Congress.